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				      <title>Sunday, 01 August, 2010 - Small But Sublime: Intimate 19th-Century American Landscapes</title>
				      <link>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4279</link>
				      <description>&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Nearly 20 American artists spanning the Hudson River School to American Impressionism are represented in these small-scale paintings from the superb collection of the Newark Museum. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Beginning with the Hudson River School in the 1820s, landscape served as a vehicle for expressing national identity and pride in the wonders of the land. Artists such as Albert Bierstadt (1830&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1902), Asher B. Durand (1796&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1886), and Jasper Cropsey (1823&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1900) were intent on creating distinctly American scenes. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Later, during the Civil War and in the years following, this ardent nationalism waned as French landscape painting and the Barbizon school influenced a younger generation of painters including George Inness (1825&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1894), John Pope (1820&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1881), and Mary Moran (1842&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1899). &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;By the 1890s, Impressionism, with its broken brushstrokes and brilliant hues became the avant-garde style in America. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Together, these small but sublime canvases provide an overview of the approaches to landscape in the second half of the 19th century and illustrate shifts in broader social attitudes towards nature and American identity.  &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;style19&#39; style=&#39;margin-top: 0px; margin-bottom: 0px;&#39;&gt;&lt;em&gt;Small but Sublime: Intimate 19th-Century American Landscapes&lt;/em&gt; was organized by the Newark Museum. The exhibition has received funding for conservation support from the Henry Luce Foundation and from the Newark Museum Volunteer Organization and from Barbara and Bill Weldon.&lt;/p&gt;&lt;p class=&#39;style19&#39; style=&#39;margin-top: 0px; margin-bottom: 0px;&#39;&gt;&lt;br /&gt;The Pittsburgh presentation is made possible through the generous support of the Allegheny Foundation. Additional funding has been provided by First National Bank.&lt;/p&gt;</description>
					  <guid>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4279</guid>
					  <pubDate>Sun, 01 Aug 2010 10:00:00 -0400</pubDate>
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				      <title>Tuesday, 03 August, 2010 - Small But Sublime: Intimate 19th-Century American Landscapes</title>
				      <link>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4075</link>
				      <description>&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;Nearly 20 American artists spanning the Hudson River School to American Impressionism are represented in these small-scale paintings from the superb collection of the Newark Museum. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;Beginning with the Hudson River School in the 1820s, landscape served as a vehicle for expressing national identity and pride in the wonders of the land. Artists such as Albert Bierstadt (1830&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1902), Asher B. Durand (1796&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1886), and Jasper Cropsey (1823&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1900) were intent on creating distinctly American scenes. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;Later, during the Civil War and in the years following, this ardent nationalism waned as French landscape painting and the Barbizon school influenced a younger generation of painters including George Inness (1825&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1894), John Pope (1820&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1881), and Mary Moran (1842&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1899). &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;By the 1890s, Impressionism, with its broken brushstrokes and brilliant hues became the avant-garde style in America. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;Together, these small but sublime canvases provide an overview of the approaches to landscape in the second half of the nineteenth century and illustrate shifts in broader social attitudes towards nature and American identity.  &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;This exhibition is organized by the Newark Museum.&lt;/span&gt;&lt;/p&gt;</description>
					  <guid>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4075</guid>
					  <pubDate>Tue, 03 Aug 2010 10:00:00 -0400</pubDate>
				    </item>
							<item>
				      <title>Tuesday, 03 August, 2010 - Small But Sublime: Intimate 19th-Century American Landscapes</title>
				      <link>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4280</link>
				      <description>&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Nearly 20 American artists spanning the Hudson River School to American Impressionism are represented in these small-scale paintings from the superb collection of the Newark Museum. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Beginning with the Hudson River School in the 1820s, landscape served as a vehicle for expressing national identity and pride in the wonders of the land. Artists such as Albert Bierstadt (1830&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1902), Asher B. Durand (1796&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1886), and Jasper Cropsey (1823&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1900) were intent on creating distinctly American scenes. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Later, during the Civil War and in the years following, this ardent nationalism waned as French landscape painting and the Barbizon school influenced a younger generation of painters including George Inness (1825&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1894), John Pope (1820&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1881), and Mary Moran (1842&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1899). &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;By the 1890s, Impressionism, with its broken brushstrokes and brilliant hues became the avant-garde style in America. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Together, these small but sublime canvases provide an overview of the approaches to landscape in the second half of the 19th century and illustrate shifts in broader social attitudes towards nature and American identity.  &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;style19&#39; style=&#39;margin-top: 0px; margin-bottom: 0px;&#39;&gt;&lt;em&gt;Small but Sublime: Intimate 19th-Century American Landscapes&lt;/em&gt; was organized by the Newark Museum. The exhibition has received funding for conservation support from the Henry Luce Foundation and from the Newark Museum Volunteer Organization and from Barbara and Bill Weldon.&lt;/p&gt;&lt;p class=&#39;style19&#39; style=&#39;margin-top: 0px; margin-bottom: 0px;&#39;&gt;&lt;br /&gt;The Pittsburgh presentation is made possible through the generous support of the Allegheny Foundation. Additional funding has been provided by First National Bank.&lt;/p&gt;</description>
					  <guid>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4280</guid>
					  <pubDate>Tue, 03 Aug 2010 10:00:00 -0400</pubDate>
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							<item>
				      <title>Wednesday, 04 August, 2010 - Small But Sublime: Intimate 19th-Century American Landscapes</title>
				      <link>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4076</link>
				      <description>&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;Nearly 20 American artists spanning the Hudson River School to American Impressionism are represented in these small-scale paintings from the superb collection of the Newark Museum. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;Beginning with the Hudson River School in the 1820s, landscape served as a vehicle for expressing national identity and pride in the wonders of the land. Artists such as Albert Bierstadt (1830&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1902), Asher B. Durand (1796&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1886), and Jasper Cropsey (1823&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1900) were intent on creating distinctly American scenes. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;Later, during the Civil War and in the years following, this ardent nationalism waned as French landscape painting and the Barbizon school influenced a younger generation of painters including George Inness (1825&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1894), John Pope (1820&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1881), and Mary Moran (1842&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1899). &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;By the 1890s, Impressionism, with its broken brushstrokes and brilliant hues became the avant-garde style in America. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;Together, these small but sublime canvases provide an overview of the approaches to landscape in the second half of the nineteenth century and illustrate shifts in broader social attitudes towards nature and American identity.  &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;This exhibition is organized by the Newark Museum.&lt;/span&gt;&lt;/p&gt;</description>
					  <guid>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4076</guid>
					  <pubDate>Wed, 04 Aug 2010 10:00:00 -0400</pubDate>
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				      <title>Wednesday, 04 August, 2010 - Small But Sublime: Intimate 19th-Century American Landscapes</title>
				      <link>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4281</link>
				      <description>&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Nearly 20 American artists spanning the Hudson River School to American Impressionism are represented in these small-scale paintings from the superb collection of the Newark Museum. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Beginning with the Hudson River School in the 1820s, landscape served as a vehicle for expressing national identity and pride in the wonders of the land. Artists such as Albert Bierstadt (1830&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1902), Asher B. Durand (1796&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1886), and Jasper Cropsey (1823&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1900) were intent on creating distinctly American scenes. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Later, during the Civil War and in the years following, this ardent nationalism waned as French landscape painting and the Barbizon school influenced a younger generation of painters including George Inness (1825&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1894), John Pope (1820&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1881), and Mary Moran (1842&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1899). &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;By the 1890s, Impressionism, with its broken brushstrokes and brilliant hues became the avant-garde style in America. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Together, these small but sublime canvases provide an overview of the approaches to landscape in the second half of the 19th century and illustrate shifts in broader social attitudes towards nature and American identity.  &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;style19&#39; style=&#39;margin-top: 0px; margin-bottom: 0px;&#39;&gt;&lt;em&gt;Small but Sublime: Intimate 19th-Century American Landscapes&lt;/em&gt; was organized by the Newark Museum. The exhibition has received funding for conservation support from the Henry Luce Foundation and from the Newark Museum Volunteer Organization and from Barbara and Bill Weldon.&lt;/p&gt;&lt;p class=&#39;style19&#39; style=&#39;margin-top: 0px; margin-bottom: 0px;&#39;&gt;&lt;br /&gt;The Pittsburgh presentation is made possible through the generous support of the Allegheny Foundation. Additional funding has been provided by First National Bank.&lt;/p&gt;</description>
					  <guid>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4281</guid>
					  <pubDate>Wed, 04 Aug 2010 10:00:00 -0400</pubDate>
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				      <title>Thursday, 05 August, 2010 - Small But Sublime: Intimate 19th-Century American Landscapes</title>
				      <link>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4077</link>
				      <description>&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;Nearly 20 American artists spanning the Hudson River School to American Impressionism are represented in these small-scale paintings from the superb collection of the Newark Museum. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;Beginning with the Hudson River School in the 1820s, landscape served as a vehicle for expressing national identity and pride in the wonders of the land. Artists such as Albert Bierstadt (1830&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1902), Asher B. Durand (1796&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1886), and Jasper Cropsey (1823&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1900) were intent on creating distinctly American scenes. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;Later, during the Civil War and in the years following, this ardent nationalism waned as French landscape painting and the Barbizon school influenced a younger generation of painters including George Inness (1825&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1894), John Pope (1820&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1881), and Mary Moran (1842&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1899). &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;By the 1890s, Impressionism, with its broken brushstrokes and brilliant hues became the avant-garde style in America. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;Together, these small but sublime canvases provide an overview of the approaches to landscape in the second half of the nineteenth century and illustrate shifts in broader social attitudes towards nature and American identity.  &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;This exhibition is organized by the Newark Museum.&lt;/span&gt;&lt;/p&gt;</description>
					  <guid>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4077</guid>
					  <pubDate>Thu, 05 Aug 2010 10:00:00 -0400</pubDate>
				    </item>
							<item>
				      <title>Thursday, 05 August, 2010 - Small But Sublime: Intimate 19th-Century American Landscapes</title>
				      <link>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4282</link>
				      <description>&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Nearly 20 American artists spanning the Hudson River School to American Impressionism are represented in these small-scale paintings from the superb collection of the Newark Museum. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Beginning with the Hudson River School in the 1820s, landscape served as a vehicle for expressing national identity and pride in the wonders of the land. Artists such as Albert Bierstadt (1830&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1902), Asher B. Durand (1796&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1886), and Jasper Cropsey (1823&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1900) were intent on creating distinctly American scenes. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Later, during the Civil War and in the years following, this ardent nationalism waned as French landscape painting and the Barbizon school influenced a younger generation of painters including George Inness (1825&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1894), John Pope (1820&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1881), and Mary Moran (1842&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1899). &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;By the 1890s, Impressionism, with its broken brushstrokes and brilliant hues became the avant-garde style in America. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Together, these small but sublime canvases provide an overview of the approaches to landscape in the second half of the 19th century and illustrate shifts in broader social attitudes towards nature and American identity.  &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;style19&#39; style=&#39;margin-top: 0px; margin-bottom: 0px;&#39;&gt;&lt;em&gt;Small but Sublime: Intimate 19th-Century American Landscapes&lt;/em&gt; was organized by the Newark Museum. The exhibition has received funding for conservation support from the Henry Luce Foundation and from the Newark Museum Volunteer Organization and from Barbara and Bill Weldon.&lt;/p&gt;&lt;p class=&#39;style19&#39; style=&#39;margin-top: 0px; margin-bottom: 0px;&#39;&gt;&lt;br /&gt;The Pittsburgh presentation is made possible through the generous support of the Allegheny Foundation. Additional funding has been provided by First National Bank.&lt;/p&gt;</description>
					  <guid>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4282</guid>
					  <pubDate>Thu, 05 Aug 2010 10:00:00 -0400</pubDate>
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				      <title>Thursday, 05 August, 2010 - Garden Glimpse: Henry Clay Frick--His Greenhouse, and His Mushrooms</title>
				      <link>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4511</link>
				      <description>&lt;p class=&#39;MsoNormal&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;&gt;Summer is the perfect time to take a closer look at our grounds, flower beds and trees.&lt;span style=&#39;mso-spacerun: yes;&#39;&gt;  &lt;/span&gt;Join Clayton docents for free, 15-minute talks each Thursday that begin at the Greenhouse and end wherever the topics take you. Check our website for the topic of the week. &lt;br /&gt;&lt;br /&gt;A Garden Glimpse is a terrific outdoor activity after lunch at &lt;a href=&#39;http://www.thefrickpittsburgh.org/start/cafe.php&#39; title=&#39;The Cafe at the Frick&#39;&gt;The Caf&eacute; at the Frick&lt;/a&gt; or before your Clayton tour!&lt;/span&gt;&lt;/p&gt;</description>
					  <guid>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4511</guid>
					  <pubDate>Thu, 05 Aug 2010 13:15:00 -0400</pubDate>
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				      <title>Thursday, 05 August, 2010 - Clayton Features: Barbizon Works in Clayton</title>
				      <link>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4342</link>
				      <description>&lt;p&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;&gt;&lt;p class=&#39;MsoNoSpacing&#39; style=&#39;margin: 0in 0in 0pt; tab-stops: 336.0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;&gt;Every Thursday, members of the Frick education staff discuss an aspect of life at Clayton in a 15-minute talk.&lt;span style=&#39;mso-spacerun: yes;&#39;&gt;  &lt;/span&gt;Topics are connected to the exhibition &lt;em style=&#39;mso-bidi-font-style: normal;&#39;&gt;&lt;a href=&#39;http://www.thefrickpittsburgh.org/collection_exhibitions/exhibitions_current.php&#39; title=&#39;Small but Sublime&#39;&gt;Small but Sublime: Intimate 19&lt;sup&gt;th&lt;/sup&gt;-Century American Landscapes&lt;/a&gt;.&lt;/em&gt; &lt;br /&gt;&lt;br /&gt;August talks focus on Barbizon Works in Clayton.&lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoNoSpacing&#39; style=&#39;margin: 0in 0in 0pt; tab-stops: 336.0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;&gt;Meet at Clayton&rsquo;s &lt;em style=&#39;mso-bidi-font-style: normal;&#39;&gt;porte-coch&egrave;re.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoNoSpacing&#39; style=&#39;margin: 0in 0in 0pt 0.5in; tab-stops: 336.0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoNoSpacing&#39; style=&#39;margin: 0in 0in 0pt; tab-stops: 336.0pt;&#39;&gt; &lt;/p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoNoSpacing&#39; style=&#39;margin: 0in 0in 0pt; tab-stops: 336.0pt;&#39;&gt; &lt;/p&gt;</description>
					  <guid>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4342</guid>
					  <pubDate>Thu, 05 Aug 2010 14:00:00 -0400</pubDate>
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				      <title>Friday, 06 August, 2010 - Small But Sublime: Intimate 19th-Century American Landscapes</title>
				      <link>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4078</link>
				      <description>&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;Nearly 20 American artists spanning the Hudson River School to American Impressionism are represented in these small-scale paintings from the superb collection of the Newark Museum. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;Beginning with the Hudson River School in the 1820s, landscape served as a vehicle for expressing national identity and pride in the wonders of the land. Artists such as Albert Bierstadt (1830&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1902), Asher B. Durand (1796&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1886), and Jasper Cropsey (1823&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1900) were intent on creating distinctly American scenes. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;Later, during the Civil War and in the years following, this ardent nationalism waned as French landscape painting and the Barbizon school influenced a younger generation of painters including George Inness (1825&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1894), John Pope (1820&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1881), and Mary Moran (1842&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1899). &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;By the 1890s, Impressionism, with its broken brushstrokes and brilliant hues became the avant-garde style in America. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;Together, these small but sublime canvases provide an overview of the approaches to landscape in the second half of the nineteenth century and illustrate shifts in broader social attitudes towards nature and American identity.  &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;This exhibition is organized by the Newark Museum.&lt;/span&gt;&lt;/p&gt;</description>
					  <guid>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4078</guid>
					  <pubDate>Fri, 06 Aug 2010 10:00:00 -0400</pubDate>
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				      <title>Friday, 06 August, 2010 - Small But Sublime: Intimate 19th-Century American Landscapes</title>
				      <link>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4283</link>
				      <description>&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Nearly 20 American artists spanning the Hudson River School to American Impressionism are represented in these small-scale paintings from the superb collection of the Newark Museum. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Beginning with the Hudson River School in the 1820s, landscape served as a vehicle for expressing national identity and pride in the wonders of the land. Artists such as Albert Bierstadt (1830&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1902), Asher B. Durand (1796&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1886), and Jasper Cropsey (1823&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1900) were intent on creating distinctly American scenes. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Later, during the Civil War and in the years following, this ardent nationalism waned as French landscape painting and the Barbizon school influenced a younger generation of painters including George Inness (1825&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1894), John Pope (1820&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1881), and Mary Moran (1842&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1899). &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;By the 1890s, Impressionism, with its broken brushstrokes and brilliant hues became the avant-garde style in America. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Together, these small but sublime canvases provide an overview of the approaches to landscape in the second half of the 19th century and illustrate shifts in broader social attitudes towards nature and American identity.  &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;style19&#39; style=&#39;margin-top: 0px; margin-bottom: 0px;&#39;&gt;&lt;em&gt;Small but Sublime: Intimate 19th-Century American Landscapes&lt;/em&gt; was organized by the Newark Museum. The exhibition has received funding for conservation support from the Henry Luce Foundation and from the Newark Museum Volunteer Organization and from Barbara and Bill Weldon.&lt;/p&gt;&lt;p class=&#39;style19&#39; style=&#39;margin-top: 0px; margin-bottom: 0px;&#39;&gt;&lt;br /&gt;The Pittsburgh presentation is made possible through the generous support of the Allegheny Foundation. Additional funding has been provided by First National Bank.&lt;/p&gt;</description>
					  <guid>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4283</guid>
					  <pubDate>Fri, 06 Aug 2010 10:00:00 -0400</pubDate>
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				      <title>Friday, 06 August, 2010 - Friday Features</title>
				      <link>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4332</link>
				      <description>&lt;p&gt;&lt;span style=&#39;font-family: Times New Roman;&#39;&gt;&lt;span style=&#39;font-size: x-small;&#39;&gt;&lt;p class=&#39;MsoNormal&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;Every Friday throughout the run of &lt;em&gt;&lt;a href=&#39;http://www.thefrickpittsburgh.org/collection_exhibitions/exhibitions_current.php&#39; title=&#39;Small but Sublime&#39;&gt;Small but Sublime: Intimate 19&lt;sup&gt;th&lt;/sup&gt;-Century American Landscapes&lt;/a&gt;&lt;/em&gt;, these short gallery talks, led by Frick education and curatorial staff, offer insight into a variety of topics and themes. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoNormal&#39; style=&#39;margin: 0in 0in 0pt 0.5in;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;&lt;span style=&#39;mso-spacerun: yes;&#39;&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoNormal&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt; &lt;/p&gt;</description>
					  <guid>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4332</guid>
					  <pubDate>Fri, 06 Aug 2010 14:00:00 -0400</pubDate>
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				      <title>Friday, 06 August, 2010 - First Fridays at the Frick: Dane Vannater</title>
				      <link>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4003</link>
				      <description>&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;&gt;One of Pittsburgh&rsquo;s most popular summertime events is the annual First Fridays at the Frick outdoor musical performance series, which take place on the first Friday of each summer month on the Great Lawn in front of Clayton. Picnic dinners will be available at The Cafe.&lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;&gt;Recipient of the 2006 Bistro Award for Outstanding Vocalist by the critics of &lt;em&gt;BackStage&lt;/em&gt; magazine in New York, Dane Vannatter has been acclaimed by reviewers at &lt;em&gt;The New York Post&lt;/em&gt;, &lt;em&gt;The Boston Globe&lt;/em&gt; and &lt;em&gt;BackStage&lt;/em&gt; for a style that &#39;blends facets of cabaret and jazz with intelligence and care.&#39; &lt;br /&gt;&lt;br /&gt;Dane is also the recipient of the 2000 Bistro Award for Outstanding CD for his second recording, &#39;Flight.&#39; He has been nominated for 4 MAC awards and is a 2007 Nightlife Award finalist. Dane has performed for several years at the annual Mabel Mercer Cabaret Convention at Town Hall in New York; and has also performed in New York at the legendary Sardi&#39;s, Danny&#39;s Skylight Room and the Metropolitan Room. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt; &lt;/p&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt; &lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;&gt;&lt;/span&gt;&lt;/p&gt;</description>
					  <guid>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4003</guid>
					  <pubDate>Fri, 06 Aug 2010 19:00:00 -0400</pubDate>
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				      <title>Saturday, 07 August, 2010 - Small But Sublime: Intimate 19th-Century American Landscapes</title>
				      <link>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4079</link>
				      <description>&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;Nearly 20 American artists spanning the Hudson River School to American Impressionism are represented in these small-scale paintings from the superb collection of the Newark Museum. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;Beginning with the Hudson River School in the 1820s, landscape served as a vehicle for expressing national identity and pride in the wonders of the land. Artists such as Albert Bierstadt (1830&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1902), Asher B. Durand (1796&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1886), and Jasper Cropsey (1823&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1900) were intent on creating distinctly American scenes. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;Later, during the Civil War and in the years following, this ardent nationalism waned as French landscape painting and the Barbizon school influenced a younger generation of painters including George Inness (1825&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1894), John Pope (1820&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1881), and Mary Moran (1842&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1899). &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;By the 1890s, Impressionism, with its broken brushstrokes and brilliant hues became the avant-garde style in America. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;Together, these small but sublime canvases provide an overview of the approaches to landscape in the second half of the nineteenth century and illustrate shifts in broader social attitudes towards nature and American identity.  &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;This exhibition is organized by the Newark Museum.&lt;/span&gt;&lt;/p&gt;</description>
					  <guid>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4079</guid>
					  <pubDate>Sat, 07 Aug 2010 10:00:00 -0400</pubDate>
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				      <title>Saturday, 07 August, 2010 - Small But Sublime: Intimate 19th-Century American Landscapes</title>
				      <link>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4284</link>
				      <description>&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Nearly 20 American artists spanning the Hudson River School to American Impressionism are represented in these small-scale paintings from the superb collection of the Newark Museum. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Beginning with the Hudson River School in the 1820s, landscape served as a vehicle for expressing national identity and pride in the wonders of the land. Artists such as Albert Bierstadt (1830&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1902), Asher B. Durand (1796&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1886), and Jasper Cropsey (1823&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1900) were intent on creating distinctly American scenes. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Later, during the Civil War and in the years following, this ardent nationalism waned as French landscape painting and the Barbizon school influenced a younger generation of painters including George Inness (1825&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1894), John Pope (1820&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1881), and Mary Moran (1842&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1899). &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;By the 1890s, Impressionism, with its broken brushstrokes and brilliant hues became the avant-garde style in America. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Together, these small but sublime canvases provide an overview of the approaches to landscape in the second half of the 19th century and illustrate shifts in broader social attitudes towards nature and American identity.  &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;style19&#39; style=&#39;margin-top: 0px; margin-bottom: 0px;&#39;&gt;&lt;em&gt;Small but Sublime: Intimate 19th-Century American Landscapes&lt;/em&gt; was organized by the Newark Museum. The exhibition has received funding for conservation support from the Henry Luce Foundation and from the Newark Museum Volunteer Organization and from Barbara and Bill Weldon.&lt;/p&gt;&lt;p class=&#39;style19&#39; style=&#39;margin-top: 0px; margin-bottom: 0px;&#39;&gt;&lt;br /&gt;The Pittsburgh presentation is made possible through the generous support of the Allegheny Foundation. Additional funding has been provided by First National Bank.&lt;/p&gt;</description>
					  <guid>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4284</guid>
					  <pubDate>Sat, 07 Aug 2010 10:00:00 -0400</pubDate>
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				      <title>Saturday, 07 August, 2010 - ArtKids: Pint-Sized Pictures</title>
				      <link>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4319</link>
				      <description>&lt;p class=&#39;MsoNormal&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;p class=&#39;MsoNormal&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;We&rsquo;ll mix a little canvas with a lot of imagination in this playful tour of our special exhibition. Create a miniature masterpiece to decorate your walls, too!&lt;br /&gt;&lt;br /&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Family program, kids 4-8&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/p&gt;&lt;p class=&#39;MsoNormal&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;&lt;/span&gt;&lt;/p&gt;</description>
					  <guid>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4319</guid>
					  <pubDate>Sat, 07 Aug 2010 11:00:00 -0400</pubDate>
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				      <title>Sunday, 08 August, 2010 - Small But Sublime: Intimate 19th-Century American Landscapes</title>
				      <link>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4080</link>
				      <description>&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;Nearly 20 American artists spanning the Hudson River School to American Impressionism are represented in these small-scale paintings from the superb collection of the Newark Museum. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;Beginning with the Hudson River School in the 1820s, landscape served as a vehicle for expressing national identity and pride in the wonders of the land. Artists such as Albert Bierstadt (1830&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1902), Asher B. Durand (1796&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1886), and Jasper Cropsey (1823&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1900) were intent on creating distinctly American scenes. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;Later, during the Civil War and in the years following, this ardent nationalism waned as French landscape painting and the Barbizon school influenced a younger generation of painters including George Inness (1825&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1894), John Pope (1820&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1881), and Mary Moran (1842&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1899). &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;By the 1890s, Impressionism, with its broken brushstrokes and brilliant hues became the avant-garde style in America. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;Together, these small but sublime canvases provide an overview of the approaches to landscape in the second half of the nineteenth century and illustrate shifts in broader social attitudes towards nature and American identity.  &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;This exhibition is organized by the Newark Museum.&lt;/span&gt;&lt;/p&gt;</description>
					  <guid>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4080</guid>
					  <pubDate>Sun, 08 Aug 2010 10:00:00 -0400</pubDate>
				    </item>
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				      <title>Sunday, 08 August, 2010 - Small But Sublime: Intimate 19th-Century American Landscapes</title>
				      <link>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4285</link>
				      <description>&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Nearly 20 American artists spanning the Hudson River School to American Impressionism are represented in these small-scale paintings from the superb collection of the Newark Museum. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Beginning with the Hudson River School in the 1820s, landscape served as a vehicle for expressing national identity and pride in the wonders of the land. Artists such as Albert Bierstadt (1830&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1902), Asher B. Durand (1796&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1886), and Jasper Cropsey (1823&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1900) were intent on creating distinctly American scenes. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Later, during the Civil War and in the years following, this ardent nationalism waned as French landscape painting and the Barbizon school influenced a younger generation of painters including George Inness (1825&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1894), John Pope (1820&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1881), and Mary Moran (1842&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1899). &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;By the 1890s, Impressionism, with its broken brushstrokes and brilliant hues became the avant-garde style in America. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Together, these small but sublime canvases provide an overview of the approaches to landscape in the second half of the 19th century and illustrate shifts in broader social attitudes towards nature and American identity.  &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;style19&#39; style=&#39;margin-top: 0px; margin-bottom: 0px;&#39;&gt;&lt;em&gt;Small but Sublime: Intimate 19th-Century American Landscapes&lt;/em&gt; was organized by the Newark Museum. The exhibition has received funding for conservation support from the Henry Luce Foundation and from the Newark Museum Volunteer Organization and from Barbara and Bill Weldon.&lt;/p&gt;&lt;p class=&#39;style19&#39; style=&#39;margin-top: 0px; margin-bottom: 0px;&#39;&gt;&lt;br /&gt;The Pittsburgh presentation is made possible through the generous support of the Allegheny Foundation. Additional funding has been provided by First National Bank.&lt;/p&gt;</description>
					  <guid>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4285</guid>
					  <pubDate>Sun, 08 Aug 2010 10:00:00 -0400</pubDate>
				    </item>
							<item>
				      <title>Tuesday, 10 August, 2010 - Small But Sublime: Intimate 19th-Century American Landscapes</title>
				      <link>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4081</link>
				      <description>&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;Nearly 20 American artists spanning the Hudson River School to American Impressionism are represented in these small-scale paintings from the superb collection of the Newark Museum. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;Beginning with the Hudson River School in the 1820s, landscape served as a vehicle for expressing national identity and pride in the wonders of the land. Artists such as Albert Bierstadt (1830&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1902), Asher B. Durand (1796&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1886), and Jasper Cropsey (1823&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1900) were intent on creating distinctly American scenes. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;Later, during the Civil War and in the years following, this ardent nationalism waned as French landscape painting and the Barbizon school influenced a younger generation of painters including George Inness (1825&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1894), John Pope (1820&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1881), and Mary Moran (1842&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;1899). &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;By the 1890s, Impressionism, with its broken brushstrokes and brilliant hues became the avant-garde style in America. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;Together, these small but sublime canvases provide an overview of the approaches to landscape in the second half of the nineteenth century and illustrate shifts in broader social attitudes towards nature and American identity.  &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;&#39;&gt;This exhibition is organized by the Newark Museum.&lt;/span&gt;&lt;/p&gt;</description>
					  <guid>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4081</guid>
					  <pubDate>Tue, 10 Aug 2010 10:00:00 -0400</pubDate>
				    </item>
							<item>
				      <title>Tuesday, 10 August, 2010 - Small But Sublime: Intimate 19th-Century American Landscapes</title>
				      <link>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4286</link>
				      <description>&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Nearly 20 American artists spanning the Hudson River School to American Impressionism are represented in these small-scale paintings from the superb collection of the Newark Museum. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Beginning with the Hudson River School in the 1820s, landscape served as a vehicle for expressing national identity and pride in the wonders of the land. Artists such as Albert Bierstadt (1830&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1902), Asher B. Durand (1796&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1886), and Jasper Cropsey (1823&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1900) were intent on creating distinctly American scenes. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Later, during the Civil War and in the years following, this ardent nationalism waned as French landscape painting and the Barbizon school influenced a younger generation of painters including George Inness (1825&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1894), John Pope (1820&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1881), and Mary Moran (1842&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Times New Roman&#39;,&#39;serif&#39;;&#39;&gt;&ndash;&lt;/span&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;1899). &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;By the 1890s, Impressionism, with its broken brushstrokes and brilliant hues became the avant-garde style in America. &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;Together, these small but sublime canvases provide an overview of the approaches to landscape in the second half of the 19th century and illustrate shifts in broader social attitudes towards nature and American identity.  &lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;MsoPlainText&#39; style=&#39;margin: 0in 0in 0pt;&#39;&gt;&lt;span style=&#39;font-size: 10pt; font-family: &#39;Arial&#39;,&#39;sans-serif&#39;;&#39;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=&#39;style19&#39; style=&#39;margin-top: 0px; margin-bottom: 0px;&#39;&gt;&lt;em&gt;Small but Sublime: Intimate 19th-Century American Landscapes&lt;/em&gt; was organized by the Newark Museum. The exhibition has received funding for conservation support from the Henry Luce Foundation and from the Newark Museum Volunteer Organization and from Barbara and Bill Weldon.&lt;/p&gt;&lt;p class=&#39;style19&#39; style=&#39;margin-top: 0px; margin-bottom: 0px;&#39;&gt;&lt;br /&gt;The Pittsburgh presentation is made possible through the generous support of the Allegheny Foundation. Additional funding has been provided by First National Bank.&lt;/p&gt;</description>
					  <guid>http://www.thefrickpittsburgh.org/eventlist/events/index.php&#63;com=detail&amp;eID=4286</guid>
					  <pubDate>Tue, 10 Aug 2010 10:00:00 -0400</pubDate>
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