Future Exhibitions

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Rolling Hills, Satantic Mills  

Rolling Hills, Satanic Mills:
The British Passion for Landscape

May 9–August 2, 2015  

Visit the exhibition website here.

Drawn from the remarkable collections of the National Museum Wales, this exhibition traces the development of landscape painting in Britain through the Industrial Revolution and the eras of Romanticism, Impressionism, and Modernism, to the postmodern and post-industrial imagery of today. More than 60 works of art, including major oil paintings, watercolors, drawings, and photographs, offer fresh insight into the changing relationship between artists and the landscape, as well as the evolving tastes of wealthy collectors.

Beginning with Old MastersClaude Lorrain (1604–1682) and Salvator Rosa (1615–1673), the exhibition features an international roster of artists—from famed British painters Joseph Wright of Derby (1734–1797), John Constable (1776–1837), Thomas Gainsborough (1727–1788), and J. M. W. Turner (1775–1851), to Impressionists Claude Monet (1840–1926) and Alfred Sisley (1839–1899).

This exhibition is organized by the American Federation of Arts and Amgueddfa Cymru–National Museum Wales.

The exhibition tour and catalogue are generously supported by the JFM Foundation,Mrs. Donald M. Cox, and the Marc Fitch Fund. In-kind support is provided by Barbaraand Richard S. Lane and Christie’s.

The Pittsburgh presentation of this exhibition is supported in part by a generous grant from The Heinz Endowments.


John Constable (English, 1776–1837), A Cottage in a Cornfield, 1817. Oil on canvas. 12 3/8 x 10 1/4. National Museum Wales (NMWA A 486) 079.58  


Chris Antemann: Forbidden Fruit and
Other Works in Porcelain

October 3, 2015–January 10, 2016

Contemporary porcelain artist Chris Antemann, who grew up in nearby Johnstown, has spent the last several years working in residence at the Meissen porcelain manufactory’s art campus in Germany. Her playful porcelain fantasies revive both the materials and methods used in producing 18th-century figurines, with an approach that puts a contemporary spin on the typical subject matter of flirtation and seduction common during the Rococo period. Antemann’s figures enact scenes of romance and seduction while aiming a knowing wink at traditional gender roles. The Frick will present Antemann’s major works for Meissen, The Love Temple, and The Pleasure Garden (inspired by Fragonard’s famous Progress of Love series) as well as a selection of smaller works, in the context of our permanent collection of 18th-century French art. The artist will also be curating a selection of porcelain from our permanent collection and installing work in our 18th-century French salon period room, which will be open for the first time since 2003 for this special exhibition. 

Chris Antemann in collaboration with Meissen ®
Tempted to Taste (detail) © Meissen Couture ®