Sinful and saintly. Authentic and fake. Regal and exploitive. When it comes to the pearl, two things can be true. Paradox of Pearls: Renaissance to the Gilded Age invites visitors to look under the lustrous layers of the sea’s most precious and contradictory gem to learn how pearls adorn, empower, and perform from the 16th century to today.
This exhibition highlights the pearl as more than a fashion accessory. As one of the most sought-after commodities of the early modern colonial enterprise and a precious jewel tied to bondage, and violence, pearls have a complex history that will be unraveled and reframed in this exhibition.
Four thematic sections examine pearls and their varied, often contradictory meanings, through the lens of piety, power, natural properties, and performance. The visually rich exhibition features fine and decorative art, including rarely seen artworks from The Frick Pittsburgh’s collection and loans from partner institutions including the Carl and Marilynn Thoma Foundation, the Posner Center for Special Collections at Carnegie Mellon University, and several private collections. Contemporary art, including work from Gavin Benjamin and Ann Carrington, will be featured throughout the exhibition, disrupting the temporal narrative to draw attention to the enduring legacies of the gem.
Paradox of Pearls is a show organized by The Frick Pittsburgh in partnership with Duquesne University professor Laura Engel, Ph.D.
Tickets on sale November 2026
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Browse through a few of the pieces on display in Paradox of Pearls: Renaissance to The Gilded Age.
HEADER: Workshop of Tintoretto. Susannah and the Elders, 16th century. Oil on canvas. The Frick Pittsburgh.