Past Exhibitions

In the second half of the 19th century, three generations of rebellious artists and designers revolutionized the visual arts in Britain by challenging the new industrial world around them, offering a radical artistic and social vision inspired by the pre-industrial past.

Two monumental paintings of the biblical Judith and Holofernes, created 400 years apart, one by the most successful female painter of the 17th century, and the second by a contemporary artist recasting the Old Masters. Visceral, fierce, and completely arresting, these paintings together explore notions of identity, power, inequality, and triumph over oppression.

This exhibition looks at the continuum of self-taught art across time and place from the earliest days of the founding of the United States to the present. Including an extraordinary selection of paintings, sculpture, and other objects as powerful vehicles for storytelling, this exhibition reveals the vital role folk art plays as a witness to history, marker of cultural heritage, and a reflection of the world at large.

FashionAFRICANA presents Murinzi by Cedric Mizero. An exclusive exhibition in The Frick Art Museum Rotunda.

A special installation at The Frick Art Museum presents Dutch contemporary artist Bouke de Vries' interpretation of an 18th-century tablescape with a sprawling assemblage of porcelain fragments resembling a nuclear wasteland. A former conservator of art objects, de Vries resurrects broken porcelain shards that would otherwise have been discarded and uses them to create new artworks that tackle both contemporary and historic issues.

Over the history of motoring, hood ornaments evolved from the practical (externally mounted radiator caps) to the purely decorative. Today, only a few luxury brands continue the tradition. Why were hood ornaments so popular and what led to their near demise?

The first exhibition to explore the evolution of women's sporting attire in Western fashion, Sporting Fashion will look at the impact of new technologies and evolving social mores on women's clothing for sport, charting the cultural and material developments that allowed women to make their way outdoors.

In the second half of the 19th century, three generations of rebellious artists and designers revolutionized the visual arts in Britain by challenging the new industrial world around them, offering a radical artistic and social vision inspired by the pre-industrial past.

Photographic portraits dating from 1937 to 1946 explore Muray's unique perspective as Kahlo's friend, lover, and confidant, while highlighting Kahlo's deep interest in her Mexican heritage, her life and travels, and the family and friends around her.

Inspired by the personal photographs in Frida Kahlo—An Intimate Portrait, 13 women artists of the locally based #notwhite collective selected photographs from our their own family albums to create an intimate, collective portrait of themselves. Through their photos, they share experiences that bind them together—love, joy, family, loss—and express their unique cultural identities.

A special installation at The Frick Art Museum presents Dutch contemporary artist Bouke de Vries' interpretation of an 18th-century tablescape with a sprawling assemblage of porcelain fragments resembling a nuclear wasteland. A former conservator of art objects, de Vries resurrects broken porcelain shards that would otherwise have been discarded and uses them to create new artworks that tackle both contemporary and historic issues.

Featuring exquisite examples of beauty and craftsmanship by makers such as Louis Comfort Tiffany and Charlotte Newman, Maker & Muse celebrates the impact of women on the innovative and imaginative jewelry of the early 1900s.

This exhibition, drawn from the collection at the Kent State University Museum, features a range of costumes and fashions instrumental in shaping some of the most memorable characters portrayed on stage or screen by acclaimed actress Katharine Hepburn (1907-2003), one of the most iconic stars of the 20th century.

The Hunt for a Seat: Sporting Carriages in the Early Twentieth Century explores the unique characteristics, design and history of sporting-class vehicles. Planned to coincide with A Sporting Vision: The Mellon Collection of British Sporting Art from the Virginia Museum of Fine Art at The Frick Art Museum, this special installation includes four loaned carriages to supplement three in the Frick's collection and create a broader picture of the use of carriages for sport and recreation.

Visit the streets, flea markets, shops, dance halls, and after-hours demi-monde of Paris in this exhibition that explores one of the most fascinating and creative periods in photography.

Belgian artist Isabelle de Borchgrave's marvelous paper costumes were on view at the Frick during the fall of 2018 as part of the artist's first touring retrospective exhibition.

An opulent example of Gilded Age portraiture, this full-length society portrait of Mrs. Irene M. Peacock was painted by Raimundo de Madrazo in 1902.

This exhibition, drawn from the collection at the Kent State University Museum, features a range of costumes and fashions instrumental in shaping some of the most memorable characters portrayed on stage or screen by acclaimed actress Katharine Hepburn (1907-2003), one of the most iconic stars of the 20th century.

Discover the automobile's impact on increasing individual autonomy and heralding vast social changes in the 20th century.

The Frick Pittsburgh presented Van Gogh, Monet, Degas: The Mellon Collection of French Art from the Virginia Museum of Fine Arts, an exhibition featuring more than 70 masterpieces collected by Pittsburgh-born collector and philanthropist, Paul Mellon (1907-1999), beginning in spring 2018.

This blockbuster exhibition presented the fascinating history of underwear design from the 18th century to the present.

Belgian artist Isabelle de Borchgrave's marvelous paper costumes were on view at the Frick during the fall of 2018 as part of the artist's first touring retrospective exhibition.

An opulent example of Gilded Age portraiture, this full-length society portrait of Mrs. Irene M. Peacock was painted by Raimundo de Madrazo in 1902.

In a career that spanned seven decades, iconic American photographer Irving Penn (1917-2009) created an enormous body of work. This retrospective featured the full range of his accomplishment in more than 140 photographs including early social realist images, glamorous fashion photographs, insightful portraits, still lifes, nudes, and his late work with found objects.

From Henry Clay Frick's early purchases, to his daughter Helen's collecting interests, through to the acquisitions that have been made by the museum in recent years, this exhibition told the story of The Frick Pittsburgh through its collection.

This blockbuster exhibition presented the fascinating history of underwear design from the 18th century to the present.

The Frick presented Antemann's major works for Meissen, The Love Temple, and The Pleasure Garden (inspired by Fragonard's famous Progress of Love series) as well as a selection of smaller works, in the context of our permanent collection of 18th-century French art.

The exhibition spans the years from 1907 to 1958 and reproductions of pages of his photo albums give insight into Lartigue's creative process and his acute observations of life.

From Henry Clay Frick's early purchases, to his daughter Helen's collecting interests, through to the acquisitions that have been made by the museum in recent years, this exhibition told the story of The Frick Pittsburgh through its collection.

Featuring an international group of artists,this exhibition captured, through more than 70 works, a pivotal time in the history of the development of the medium. Rare, hand-crafted-vintage prints made through a variety of processes illustrate some of the artistic choices open to the late-19th and early-20th century photographer, and chart the shift to prominence of the classic black and white (gelatin silver) print, which came to dominate photography in the 20th century.

The Frick presented Antemann's major works for Meissen, The Love Temple, and The Pleasure Garden (inspired by Fragonard's famous Progress of Love series) as well as a selection of smaller works, in the context of our permanent collection of 18th-century French art.

The exhibition spans the years from 1907 to 1958 and reproductions of pages of his photo albums give insight into Lartigue's creative process and his acute observations of life.

Henry Clay Frick purchased Curran's 1890 painting Woman with a Horse and Carriage, which typically hangs in the Clayton library. For this exhibition, our painting will join about 60 others as Curran's work travels to three North American venues (including The Frick Art Museum) in this first critical retrospective of his career since his death in 1942. The exhibition is organized by the Dixon Gallery & Gardens, Memphis, and will be accompanied by a full-color catalogue.

This exciting exhibition features American artists from the nation's early years of independence through the dawn of the 20th century and includes major artists and movements from the Peale family and Gilbert Stuart to American Impressionists like Childe Hassam and Theodore Robinson, with beautiful Hudson River School works falling in between.

In 1999 the Frick collaborated with contemporary artist Vik Muniz on a project that resulted in an exhibition of 65 photographs made on site and in the nearby environs of Pittsburgh. This exhibition marked the Frick's first venture into working with a living artist, and resulted in a significant body of work.

Henry Clay Frick purchased Curran's 1890 painting Woman with a Horse and Carriage, which typically hangs in the Clayton library. For this exhibition, our painting will join about 60 others as Curran's work travels to three North American venues (including The Frick Art Museum) in this first critical retrospective of his career since his death in 1942. The exhibition is organized by the Dixon Gallery & Gardens, Memphis, and will be accompanied by a full-color catalogue.

Produced for both the luxury and middle-class markets, these vessels, bowls, pitchers, and bottles reflect numerous cultural and artistic influences and an aesthetic sensibility that seems startlingly modern.